Every pose, from every side.
Every built-in upose pose, shown from five angles and free to draw from. Want a different angle, body or light? Open one in upose and turn it however you like.
Fighting poses
Punches, kicks and the guard you come back to. A hit starts at the floor: the back heel lifts, the hips turn, and the shoulder follows last. Turn these around and watch the hips, that's where the power shows.
Action poses
Running, sprinting and jumping. Movement reads from the line of action, the one long curve from head to toe, and these poses push it far enough to see. Try the side view first, it's the clearest.
Standing, sitting and kneeling
The quiet poses, and somehow the hardest to make look natural. It's all about weight: find the leg that carries it, and the hip over that leg rises while the shoulders tip the other way.
Sword poses
Guards, slashes and thrusts, with the blade already in hand. Look at how the two hands share the grip, and how short the blade gets when it points at you. That second one is the angle worth turning to.
- Sword high guard (Pro)
- Sword ready (two-hand) (Pro)
- Sword slash (two-hand) (Pro)
- Sword and shield (Pro)
- Katana guard (Pro)
- Katana overhead (Pro)
- Greatsword guard (Pro)
- Dagger thrust (Pro)
Gun poses
Pistols and rifles: aimed, at the ready and kneeling. Watch what the whole body does for the gun. The head comes down to the sights, the elbows lock or tuck, and the weight leans into the shot.
- Pistol aim (Pro)
- Pistol one-hand (Pro)
- Pistol low ready (Pro)
- Rifle shoulder (Pro)
- Rifle low ready (Pro)
- Rifle kneeling (Pro)
- Hip fire (Pro)
Spear, staff, axe and bat poses
Long and heavy things to swing. They move the whole body: the reach comes from the back foot and the hips, not just the arms.